The warmly cool, clear, ringing, perfumed, overflowing, redundant days, were as crystal goblets of Persian sherbet, heaped up – flaked up, with rose-water snow. — Herman Melville
Being at sea, on the sea, there is always a close and present awareness of the line which divides the landed world and the underwater universe, though normally, the waves demand our attention and keep that parallel universe well hidden, and away from our thoughts. The eerie sense of depth creeps in at odd moments when something reminds you of the rocky bottom and the multilayered world of fishes below. In tropical water sometimes the bottom is visible at enormous, ludicrous depths, as the time we motored into the Gambier on a glassy sea and Diana could see sharks clearly in the pass a hundred feet below us. But in Fiordland, the water is usually hundreds of feet deep within just a couple boat lengths away from the “shore.” The water is not murky but light barely penetrates. Stillness is legendary here, also the shimmering layer of freshwater floating atop the tide, that looks like heatwaves in the desert. You can peer straight down and see golden leaves tumbling in the current above the darkened depths. But most of the time, the Sounds keep their secrets well hidden and the water mirrors back the soaring peaks and luxuriant waterfalls and exuberant beach and fern forests, doubling the awe. As stunning as it is, the obvious trick of the mind is to delete the bottom half of the image as “merely” a repetition. Sometimes I had to be reminded to see it another way. Perhaps because she was photographing these landscapes, Diana learned to see these reflection even more vividly, to delight in the ubiquitous natural Rorschach.~MS
We were primed to love Broughton Arm. Tony, a New Zealand sailor we met in Tonga (from an Auckland sailboat building family) got there ahead of us and posted his impression, the humbling sense of privilege he felt to be in the remote presence of such mighty granite walls and peaks. “Paradise found!,” he exclaimed. It’s hard to think of a way to convey the heart sense of moving through pristine and unpeopled areas like this, the sense that goes beyond the imagery, the waterfalls, and magnificent trees, the wildlife. The sense of living stone and water and place. You look at one of the these peaks soaring above the the fiord continually stunned by the mass and energy represented there, and then by the bounty of life exuberantly, vividly greening those granite flanks. And water, water, water everywhere. ~MS